Post-Christmas Radio: New Formats and Station Changes (2026)

The post-Christmas radio landscape is a fascinating one, with stations across the country undergoing dramatic format changes. It's a time when radio stations showcase their versatility and cater to the evolving tastes of their listeners.

In Salt Lake City, Capital Broadcasting's KLO-FM has undergone a significant transformation. After a two-month stint as "Christmas 103," the station has now adopted a soft AC format, rebranding as "Coast 103.1." This move is an intriguing one, as it positions "Coast" as a competitor to established soft AC stations like Bonneville's KSFI and Cumulus Media's KBEE. With Capital's top-ranked station, KBZN, already dominating the market, it will be interesting to see how this new format fares.

But here's where it gets controversial... In New Orleans, iHeartMedia's WFFX, previously a hot AC station, has returned with a rhythmic AC format, rebranding as "Voodoo 103.7." The station has also welcomed a new midday host, Lebron "LBJ" Joseph, who brings with him a wealth of experience from his previous role at WYLD-FM. However, the new format faces a challenging task, as its recent ratings have been below the 1-share mark. Will this fresh approach be enough to capture the attention of New Orleans listeners?

Moving on to Grand Rapids, MI, Townsquare Media's WTRV has switched to classic hits, replacing its former soft AC format. This change mirrors a similar move by Sticks Media's KHDV in Darby, MT, which has also adopted a classic hits format, "Rocket 108," after its festive stint as "Ho Ho 108."

And this is the part most people miss... These format changes are not just about music; they're about connecting with the community and understanding their preferences. In Corpus Christi, TX, ICA Media's KAJE has returned to its country roots, relaunching as "Hot Country 107.3," after a brief foray into Spanish regional Mexican music.

Finally, in Bloomington, IN, ST Radio's WGCL has taken a unique approach, transitioning from conservative talk and sports to a sports-focused format, "98.7 The Zone." While retaining most of its local talent, the station has also added regionally syndicated sports programming to its lineup.

So, what do you think? Are these format changes a sign of a dynamic and responsive radio industry, or do they indicate a lack of originality? Share your thoughts in the comments below!

Post-Christmas Radio: New Formats and Station Changes (2026)
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